I'm going to be a bit naughty here but I'm not apologising.
Our filming of Scene 8 of Winter, a few weeks ago now (how time flies) has been getting the CGI treatment and you know how they do those split screen thingies showing the very same shot before and after? Well I'm not doing that.
But I am going to give the feel of it by showing you two shots, a before and an after, just not cleverly cut together and probably not the same bit. It's naughty because this is not the finished CGI but I'm just so excited.
So here's a photo from the studio, you can see our two actors behind all the equipment in the brightly lit greenscreen area:
And now here's a similar shot, early version, with the CGI in place:
And I think that's pretty cool.
Thursday, 31 May 2012
Tuesday, 8 May 2012
That was interesting
Two days ago we shot Scene 8 of WINTER. Why just scene 8?
A couple of reasons: we needed to test out the whole green-screen production process; and we needed a promotional snapshot to look for more funding.
Scene 8 has several factors to its benefit: it features two of the three main characters, it's their first meeting, provides some background food for thought, some mystery, and it features major CGI work.
The CGI involves the night-time set on a Victorian street, rain, moving steampunk elements and live action incorporated into it. It's a perfect introduction to both the story and our ability to achieve the effects required.
Chris, the Director, is frantically editing in order to deliver the scene to the CGI chap who will integrate the set and moving graphics into the scene.
And the finished product goes to Cannes. Which is where your funding comes in.
http://igg.me/p/93585?a=405734
To help us finish the whole thing and deliver.
A couple of reasons: we needed to test out the whole green-screen production process; and we needed a promotional snapshot to look for more funding.
Scene 8 has several factors to its benefit: it features two of the three main characters, it's their first meeting, provides some background food for thought, some mystery, and it features major CGI work.
The CGI involves the night-time set on a Victorian street, rain, moving steampunk elements and live action incorporated into it. It's a perfect introduction to both the story and our ability to achieve the effects required.
Chris, the Director, is frantically editing in order to deliver the scene to the CGI chap who will integrate the set and moving graphics into the scene.
And the finished product goes to Cannes. Which is where your funding comes in.
http://igg.me/p/93585?a=405734
To help us finish the whole thing and deliver.
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